re-release of this mini-album with great rocking electrodisco inspired by the classic moroder / bobby orlando sound, mixed together with a bit of i-f and dopplereffekt.

pavel pokhorovskyy a.k.a. pvl is a young artist from nürnberg, germany. inspired by different subgenres of house and techno music, he decided to try himself in producing his own musical visions, which led to his debut record on samuvar ltd. converting thoughts and feelings into modern electronic music, thats what pvl is all about!

the yore captain returns to his own yore imprint on the labels 21st release. shadow city presents different visions of funky house grooves. the a sides the y theme gets deeply moving with a funky house pulse before stoking the fire with the addition of speaking voices (trippingly intoning the q&a what are we doing this for? and the music), a move which single-handedly jumpstarts the track. after the voices appear, the grooves intensity escalates and plunges deeper, its gyroscopic house swing becoming more dizzying and torrential with each passing bar before coming to an acidy storming end. in its opening moments, shadow city opts for a deeper and more serenading vibe by comparison, but thats traded in for a slinkier attack at the three-minute mark that grows progressively more ferocious as the track makes its drastic upwards ascent. a trippin dangerous murder weapon to say the least. watch your heads! the b sides b2 track, mumbai dweller keeps the focus primarily on the bottom end, specifically a strutting tribal-house funk groove thats dragged even deeper by a throbbing bass undertow, adding dark chords to it, giving this ep a darker feeling towards the end. to sum it all up: this is raw house music at its best!

stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself

both sides are ace! a side is a psychedelic afro track with a great bassline coming like straight from those early house tracks we all love so much. runner up is a love boat style disco track, in perfect balance, bringing you visions of half naked girls on the sandy beaches of portugal. tiago is dropping another couple of dancefloor bombs, thats for sure!

chicagos gatekeeper have been key in helming a new wave of gothic, analog fuelled disco gaining inspiration from their home town wax trax heroes and the legendary film scores of slasher/horror films from the likes of goblin, john carpenter and claudio simonelli.

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

when two good friends share a passion and have the opportunity to collaborate to realize a dream, the results can only be promising. the dj duo >jacuzzi boys< which was founded in the beginning of 2007 by marc phillipp and florian settele stands for minimal deep beats with unique mixing skills and an exceptional performance. since mid 2009 both guys are located in the rhine-main area. with their first vinyl release >ramba zamba< on komplex audio in january 2009 the jacuzzi boys showed a small preview of their impressive musical talent. their next vinyl >check that body< on below brings a memorable killer, together with their buddy jens peters from the dj-collective >primitive visions<. b1 with the fluent vocals gives the impression to taste >guindillas< picantes. b2 is pure spanish percussion art with a relaxed attitude

uk producer, remixer & musician richard earnshaw continues to be one of the most indemand guys around in house music today. responsible for seminal work across leading labels from all 4 corners of the globe, his stunning mixture of deep, soulful & vocal combined with his darker, techier more underground alter ego, pretty much covers all the boundaries when it comes to house music. bringing together 4 of his latest productions across his own duffnote, one51 & for the first time on vinyl his constantly talked about guess label, earnshaw again covers the full spectrum of house from the soulful sounds of duffnote, to the more club driven sounds of guess. this is a strictly limited vinyl run features vinyl only exclusive material.

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. the results of nick drakes solo sessions were as harrowing and stark as anything by robert johnson or charley patton. enclosed in an inner world of psychological distress, drake recorded pink moons dispatches from a private hell that was simultaneously terrifying and beautiful. both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. the most nakedly emotional and disturbing moment is probably parasite, a visceral but mysterious account of a disconsolate soul roaming through the world in search of succor, with drake taking the starring role, ultimately offering, take a look, you may see me in the dirt. this was the end of the road for nick drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak but beautiful visions.

this will be a big one in both techno and disco circles... do not sleep!
subdance is proud to announce their debut ep by the italian techno music legend lory d! last year we already heard some brand new things from lory, when, after 6 years without any new releases, he published two new twelve inches on the scottish label wireblock. æplisskenÆ on subdance is another stroke of genius from the roman as he comes up with two more classic examples of his unmistakable trademark sound, sombre and enigmatic, disturbing and fascinating, euphoric and energetic, powerful and direct! the a sideÆs æbank robberyÆ is a fresh interpretation of the track of the same name from john carpenter s æescape from new yorkÆ soundtrack. lory musically transports carpenterÆs apocalyptic visions of the last days into the new millennium. the brooding bass line and haunting atmospheres push the listener to an otherworldly dimension. this is loryÆs own masterpieceà lory d in technicolor and cinemascope! the b sideÆs ædisso bassÆ aims for the dance floors immediately. a perfect techno-electro track where exploding synthesizer cascades meet fragile melodies and archetypal lory d bass lines, each with a mind of their own. redshape, another techno music legend, is responsible for the mastering of both tracks. amazing stuff!

the debut 12inch from finnish duo hannulelauri! first up is glittering night, conjuring visions of 8 bit videogame soundtracks applied to the dancefloor, or an alternative theme to the movie robocop (which lauri seems to have a strong affinity for), with shimmering electric synth chords washing over a commodore 64 groove before a peter hook soundalike drops a lovely bassline, making new order comparisons inevitable (a good thing!). perfect late night machine funk. next is sally 2000, a more introspective piece with insistent digital strings providing the foundation for a childlike toy chime melody, pulsating bass and more as layer upon layer builds to a fuzzed out, pixelated yet beatless climax. finally, the late night vibe continues as sally 2000 gets a version from finlands techno/house master jori hulkkonen who works the tracks pleading strings into a more dancefloor friendly mix, adding perfectly tuned drums and a nice, fat kick but keeping the synth melodies intact and the tempo slower than your normal electrohouse jam. adventurous djs looking for alternative moods need look no further! another strong flexx release.

after successfully bringing back the boogie with the launch of their own imprint, boogie corporation are now back again to prove that they really are slaves to the boogie with this their second release on bc. inspired by strange android dreams and angelic visions of russian air hostesses on electronically powered scooters, aeroflot is equal part space and equal part boogie. meanwhile on the flip, git down is a slab of raw basement boogie, an experiment in time travel and is well heavy on the funk. last up, but by no means a slacker, is dirty rips which pays homage to the machine funk of the early electro sound while giving it a serious contemporary tweak. this track was previously re edited by dj legend greg wilson and released as hardcore boogie on redux, but this is the first time the original version has been released on vinyl. are you a slave to the boogie?

a little piece of sampledelia from maxmillion dunbar (future times, food for animals) and ari g (manhunter). you know when you scoop a record at some flea because the art looks tight, but it turns out that the shit is wack except for some little beautiful chunk? yea you do. we rescued the good parts from many terrible records that otherwise just would ve collected bad vibes on our floors. dudes trying to bring back something like early daniel wang but mix it with heavy boogie visions (swimmers groove) and all these psuedo-african slow cuts from the 90s that we keep finding (o yea). lifeguards for the vibe.

luke eargoggle and johan inkinen aka facelessmind return on lunar disko records with more futuristic drexciyan/dopplereffekt style jams! the dynamic swedish duo, who have already appeared on creme organization, breakin records, and strangelife, deliver four ice-cold electro tracks for the freakz only! the title track >glasriket< is a deep and dark workout, with its unique sounds and melodies, bubbly basslines, and a haunting lead synth throughout, all on top of some masterful 808 programming. the second track on the a-side is >my machine< with big influences from dopplereffekt and kraftwerk, phat analogue basslines and beautiful melodies rule this track while a killer vocoder vox highlight the amazing production skills of these swedish electro professors! on the b-side >visions fade away< is simply a stunning piece of electronic music. probably the best faceless mind track to date ... a bomb of a track that will rock down any club! the second track on the b-side >herr furste< treats us to more killer 808 beats, raw analogue basslines, and classic synth melodies in true faceless mind style. an outstanding 4 track ep from the prolific faceless mind - future classics! limited to 500 vinyl copies.

keeping chicagos house heritage alive since the mid-90s, justin long and mazi namvar dj and co-produce as wasted chicago youth. aside from that, justin runs dotbleep (20:20 visions house imprint), while mazi co-runs fresh meat (part of the brique rouge family). aside from that, their work has surfaced on robsoul, cajual, junior boys own, dessous and many others. chase the devil is w.c.y.s fourth ep, which finds justin and mazi fine-tuning their craft, zooming in on their citys rich musical history, and adding their own personal details to the house tradition. mars or bust kicks things off with an onslaught of booms and snaps, effortlessly juxtaposing dirty beats with precise edits. on the flip, we have the fuzzy bounce of atomic supermen, followed by love thy enemy with its robust melodic interplay coming in and out of focus. another fine addition to the tuningspork catalog, made from 100% free-range, organic, not-from-concentrate funk.

uk born, japanese based max essa delivers us a tasty morsel and appetizer for his upcoming album on bearfunk. drive time is a slice of trademark slick, slo mo disco. with live drums, rolling bass synths and sundrenched chord changes, the track conjures up visions of sunsets, surfboards, highway 101 and long lazy days. irish based john daly delivers his re rub on the flip, adding in chunky stabs and rolling synth lines... but still managing to retain the slo mo feel.

so inagawa comes back to mv for his second ep, this time with a more laid back housy feel, smooth and sexy just the way we like it

die dritte & letzte 12inch auskopplung vom >peaks and troughs< album wird im dunkelblauen mamorierten vinyl ausgeliefert. mit vocalunterstützung von paul st.hilaire und einem remix von mike huckaby

incl. remixes by mark henning & ed davenport supported by: barem, dario zenker, david squillace, philipp jung, s.o.s, someone else, stephan hinz, alex flitsch, patrick zigon, nick warren, kasey taylor, anil chawla, leigh morgan, mokic, technasia, danny graham, tim richards. chris fortiers critically acclaimed debut artist album as long as the moment exists gets the make over treatment by some of chris all time musical heroes alongside his favourite new artists. this is a stunning collection of musical visions. the list of artists involved reads like a roll call of underground musics whos who, past, present and future. this is the second ep from this special remix project and features two of the uk undergrounds most promising talents.

djax up beats special including edge of motion, dj rush and acid phreex with true classics you need to have

ron trent delivers once again on the fourth release from his own future visions label. this one under his conjure alias. it wouldnt be a trent release without his signature air of class and distinction and this ones no exception. features originals >pressure release< and >powah.<

rmxs by holy ghost!, clouded vision, von party & brad lamborghini + all that i need is to be loved (dub) heavyweight second part of the killer moby double pack. supported by everyone and massively promoted world wide !

toronto’s trinidadian deep gives us this hot, new 3-tracker for ron trent’s future visions imprint. >yoruba path< is a typically deep and lush house excursion on the a while the b-side sees mr. trent himself on remix duties for the trinidadian deep original >what is it<

ron trents future visions label comes with its very first us domestic release. >look beyond< finds ron in peak form and serves as a taster for the forthcoming >dance classic< full length. comes with main and dub mixes. deep melodic percussive house music with an epic feel

introvert (aka jukka varis) was born in northern finland in 1982. he lives now in helsinki, which is situated in the southern coast of finland. he has been making music for over 7 years, including progressive house back in 2004-2005 and his first own release from aurium records. the words >original<, >emotionally attractive<, >artistic<, >atmospheric< and >experimental< are the best to describe introvert’s sound. it gives people different moods and visions, something to listen closely to and to think about, and it works on the dancefloor too.

sublime porte is the name of 3 heads from istanbul who create deep sensual grooves with lush melodic passages. deep cavernous waves that wash over you , cleansing you with thier range of depth and sense of beauty. like the tide which ebbs and flows onto the moonlit beaches of your soul. sublime porte will encapture you with their melodic riches and hypnotic visions. in short a true turkish delight.

this 4th release from aesthetic audio features deep musical visions from deep dance architects juju and jordash (amsterdamn) and keith worthy(detroit) on aesthetic audio 04. juju and jordashs african flower is an epic, beautiful, deep and melodic electronic journey thru time that is sure to appeal to the deepest of heads...keith worthys atlantis (original deepstrumental mix) is a deep late night banger that has the true deep heads and dancers in mind...classic 4/4 deep house at its best! b2 is an deep and ethereal voyage that takes you to a musical place that is filled with thoughts of pure expression on the dancefloor deep house!!

big support from: jimpster, manuel tur, milton jackson, lauhaus, audiofly, afrilounge, nick curly, reclick… the mannheim based label 8bit records celebrate their 10th release and welcomes joao lee and ale reis aka dubshape (two guys from brasil), with their first ep on this label. you better know these guys from their release on audioflys label >supernature<... huge groovy, deep – tech house infected tunes as we like it. the magic of this ep results in the fact that anyone can enjoy the energy.

compilation 12inch assembled by tang from 2001 so you know its serious. deep electronic techno and house sounds from from steven tang (emphasis recordings), ewan jansen (moods & grooves/trackmode) and others

for fans od richie hawtin !!watch out! this one going to be huge. italian artist rico casazza has a varied musical background of classical, soundtrack and dub, but his core interest is quality, 4/4 techno. his style centers on deep atmospherics, bright as well as stoned melodies and lazy ambiences, with a subtle twist of tension...

this aesthetic audio release features three abstract visions from three deep dance architects as the second installment of the underground anthems series to be released on the aesthetic audio and sistrum recordings labels. aesthetic audio 003: johan fotmeijers back in the days is a wonderful deep, moody and synth filled electric journey back thru time that is sure paint a vivid picture of the best days of dance gone bye. keith worthys dv8 is a deep and twisted banger that takes you on a deviant trip and celebrates the raw essence of underground music. patrice scotts visions of mantada is a deep and ethereal voyage that takes you to a musical place that is filled with thoughts of free expression on the dancefloor.

its been a big year for the attias brothers. their first release nebukai on still music is still shaking a lot of dancefloors wordlwide. attias is the project of brothers alex and stephane attias. based in lausanne switzerland, the duo have been djing all over the world and making records and remixes for many years on a diverse list of labels ranging from compost to talkin loud and their own visions and freedom soundz imprints. nebukai has been licensed by tom middleton for his next mix cd (and countless other comps) and featured on dj mags cd last summer. after a release on carl craigs planet e and on isoul8s reincarnation, attias is back on still music for another mindblowing opus. aquilo and okada are reflecting how fast stephan and alex matured as a duo and is demonstrating with no question their grasp on techno and house. deep dubby techno is the way for aquilo while okada is an epic deep tech house tune and make up for a stunning release.

nice price deal !!! big electro funk bomb incl remix by 20/20 visions amsterdam based new funksters bumper. supported by kevin griffiths (tsuba,issst, slaang), loenzenzo ottati (dirty dancing), marcus j knight, kid circus (renaissance) and many more

eric sneo is probably one of the hottest german techno artists of the moment. you probably remember his severe hit on his beat disaster imprint - where he remixes manu chaos - king of the bongo! since than he has dropped nothing but kick-ass dancefloor killers. here we have another piece of peak time action following erics trademark techno fashion. a must for fans of terminal m, tclassixx, mb elektronics, compressed and clr!

since the first message ep, some connexions have been activated between some techno soul soldiers in different countries and the code 316 team. sharing the same state of mind, the same passion for music. soul connexion vol.1 is the first result of one of theses connexions and is taking you to a trip through japan and canada with two visions of detroit influenced techno soul by two of the finest soldiers coming from the futago technologies label, japan...rennie foster and kan shinomura. also on this ep, another french techno attack with two tracks by your code 316 servitors life recorder and evolutive system.

adam mitchell aka adam x with classical techno tracks from 1998

deep grooving electronic edged house music by dubois here includes remixes by 2020 visions silver city and the electronic boogie band

paul flynn aka dj q with classical chicago tech from 1996 !!

after becoming a significant force in the western canadian music scene rennie >dubnut< foster expanded his artistic visions by moving to tokyo, japan. his deep roots in music and love for the detroit sound mfor the second artist featured for the subject detroit global series. all 4 tracks contain the essence of japanese inspired beauty while maintaining the grit and mentality of the detroit sound.

magik johnson (nrk, underwater) comes with groovy beats, a dirty bassline and catchy male vocals.. 20.20 visions phonogenic creates a micro techhouse remix with old school touch..

still music is proud to present its first division past due. past due is a very special reissue label dedicated to the boogie down sounds of the 7ts and the 8ts. here is our first offering visions of tomorrow galaxy, a super funky, synth lad early 80s instrumental tune.this 12 comes with two stunning reedits by charles webster (miso) & francois a (buzzin’ fly, deeply rooted, still music) more to come soon

new artist from safari electronique: ditch ( minibar, micorcosm / kalimari ). beautiful, sensual , killer for the dancefloor to open your mind toward new visions!!! and for you > la surprise du chef < a superbe remix from arnaud le texier, ready to shake your ass... just listen !

cheeky carl craig style re edits with a little help from his friends george and stevie the lesser spotted george clinton version of princes erotic city gets a bumping electro disco touch up with georges sardonic vocal style providing a disturbing but strangely enticing vibe next up is a spirited nujazz version of visions where sassos sweeping synths and skittering beats complement stevies melancholy original vocal and bassline in a slightly unexpected fashion

deep tribal vocalhouse with latin flavour

nice price deal !!! raw and funky driven techhouse 3 track ep

die 2cd erscheint in einem dreifach ausklappbaren card-sleeve mit 8-seitigem booklet.